Author interview – Chris Ewan, author of The Good Thief’s Guide series, Safe House and Dark Tides

Chris Ewan, author of Dark Tides, Safe House, The Good Thief's Guides series and more. Chris Ewan is the best-selling author of The Good Thief’s Guides Series, Safe House and, most recently, Dark Tides, published in paperback last month. I first came across his work years ago when The Good Thief’s Guide to Amsterdam was published and have followed his career ever since. Read on to the end to enter the draw to win a copy of Dark Tides, an intriguing and disturbing story of how our actions can follow us for years. It’s another great novel and one that I was so caught up with that I stayed up into the wee small hours, desperate to find out what happened. Anyway, here’s Chris….

Q. Why do you write?

Because I love books. Because I grew up reading lots of books in my local library and I enjoyed reading so much it made me dream of one day writing a book of my own. Then, when I was in my early twenties, I was travelling through the USA and I happened to go into a second-hand bookstore in New Orleans and ask for a recommendation. The guy behind the counter gave me a copy of Raymond Chandler’s THE LONG GOODBYE. The moment I started reading it, I knew crime fiction was what I wanted to write. It’s still my favourite novel.

Q. Were you a childhood scribbler or was writing something you came to later in life?

I wrote a lot as a kid. Short stories I made up for myself. Terrible poetry. But I didn’t get serious about writing a book until the year I left uni. I wrote my first novel, then rewrote it again and again. I had the bug by that point, and I wrote another two novels over another couple of years. Then I wrote my first crime novel and finally got my break.

Q. How did you get your big break?

I submitted my first crime novel, THE GOOD THIEF’S GUIDE TO AMSTERDAM, to the Long Barn Books First Novel Competition, run by Susan Hill. A few months later, I got a call at work. It was Susan, telling me congratulations, that I’d won the competition and I was going to be published. It was, and still remains, the best phone call I’ve received in my life. Any success I’ve had since that moment, I owe it all to Susan. She changed my life.

Q. What’s your writing routine? Bustling cafe or silent solitude? Crack of dawn or midnight oil? Laptop or pen and paper?

Since my daughter was born almost three years ago, the idea of a routine seems a bit laughable now. But on a perfect day, I get up early, take my dog for a walk, sit down at my desk by 9 am and hammer out five pages before lunch. I try to write most days, and I don’t quit until I have those five pages. If all goes well, I should have a first draft of a novel after four or five months. Then I spend another four or five months rewriting and reworking the book before anyone else gets to take a look at it. And to write anything, I need silence. Which again, is a bit laughable with a toddler running around.

Q. What writer do you most admire and what would you like to ask them?

There are too many to pick any single individual, and too many reasons, but one thing I really admire is how some of the major international bestselling crime novelists are able to deliver consistently strong novels year after year, always while balancing their writing time with major promotional commitments. I’m thinking of writers like Lee Child, Michael Connelly and Harlan Coben. I guess the question I’d probably ask them is: how the hell do you do that? My guess is they’d say, sit in a chair and type.

Q. What book would you most like to have written?

THE LONG GOODBYE. Except, of course, nobody could do it anywhere near as well as Chandler.

Q. Aside from writing, what skill or achievement are you most proud of?

In recent years I’ve been running some creative writing workshops for young writers. Getting to the stage where I’m not boring them into submission is something I feel pretty good about.

Q. If you weren’t a writer what would you do?

I used to be a film lawyer, and I wasn’t great at it, but take some of those skills and combine them with a love of books and maybe I could have cut it as a literary agent. Or maybe not. Either way, I feel hugely grateful to make a living writing fiction. It was my dream. I was lucky it came true. I hope I get to stick at it.

Q. What aspect of the publishing industry would you like to change?

It’s an old problem, but it seems to me there are still too many terrific novels being published each year that, for whatever reason, don’t find the audience they deserve. How do you fix that? I don’t know. But I hate that it happens.

Workspace of author Chris EwanQ. What piece of advice would you give to aspiring writers?

I think it’s really important to be able to visualise the exact type of book you want to write before you begin work. I’m not talking about story here. Forget about plot and characters. I’m talking about the tone and texture of the book you’re aiming to produce. How should writing it make you feel? How will finishing it make your readers feel? Once you have that locked down, the real work begins.

I hope you found that interesting – I was particularly taken with Chris’ advice to get the tone of the book you’re writing figured out before you start writing and as I begin the rewriting process, I’m going to bear that in mind.

As I said, Chris’ new book, Dark Tides, was recently published and I have a copy to give away courtesy of his lovely publishers, Faber. To enter just leave a comment below between now and the 6th October. I’ll do the names out of the hat thing shortly afterwards. Good luck!

Posted in Author interviews | Tagged , , , , | 8 Comments

Sunday words…

"better to write for yourself and have no public, than to write for the public and have no self" Cyril Connolly. I’m not sure I entirely agree with this – do we not as writers have a duty to think about how we want the reader to engage with the book, how we want them to feel? Because if so, is it not down to us to make sure that we use the words that will make them have that response? Would Connolly think that that was selling out?

It’s a good reminder however, to think of the story first and the way that it needs to be told rather than be caught up in our egos, hoping that our readers will be impressed by our literary tricks.

What do you think?

Posted in Sunday words | Tagged , | Comments Off on Sunday words…

Recent Links I’ve Loved

Jelly fish at San Francisco aquariumIt’s time for a round-up of things that have caught my eye recently – an eclectic collection.

Commercial women’s fiction, the much-derided chick-lit, is unfairly sneered at. As Lizzy Kremer, an agent with David Higham Associates, points out in this post on her excellent blog, writers of CWF look into the lives and hearts of ‘ordinary women’ and find the small details that make exceptional stories.

This piece in the Herald on Sunday by Iain MacWhirter reflects on the state of the Scottish independence movement one year on from the referendum. My own feelings on independence changed during the pre-referendum period and what really decided me was the arrival in Scotland of the three leaders of the main UK political parties to tell us why voting ‘Yes’ would be a disaster – so patronising, so manipulative, so much lying. I actually thought that their arrival would increase the Yes vote – after all, a bunch of English people turning up and telling the Scots what to do…? But fear won over optimism in the end, a lack of confidence triumphed over a desire to make a new, more equal country and a year on, here we are, still part of the UK. But Scotland is a more vigorous place, with a renewed awareness of how Westminster’s attitudes and decisions affect us and even if there isn’t another referendum in the foreseeable future, hopefully we won’t slide back into apathy. Sorry – that para was a lot longer than I intended!

On a slightly lighter note, I’ve always been fascinated by Agatha Christie’s disappearance for 11 days in 1926. On the one hand, I’ve always thought that if a financially independent woman decides to take a few days out after her husband tells her that he has been having an affair and plans to leave her then that’s completely understandable. On the other hand, she did seem to be leaving clues that would incriminate her feckless husband such as the abandoning of her car near his mistress’ house. After she was found, eleven days later, at a Harrogate Spa hotel, she always claimed not to remember anything of the period or how she had got there and there have been many possible explanation put forward from it being her publisher’s publicity stunt to a fugue state brought on by shock.  To celebrate the 125th anniversary of Dame Agatha’s birth, Kate Mosse has been commissioned by the BBC to write a short story, telling a fictionalised account AC’s stay at the hotel from the point of view of another character at the hotel. It’s great and I do suggest you pop over to the BBC and read it.

The Victorian Society has released a list of the Victorian buildings they feel are most at risk. One of them is Kinmel Hall in Conwy, North Wales, a vast pile with fifty bedrooms and accomodation for 60 staff. Since it stopped being a family home in 1929, it’s been a school, a hospital, a health spa and a conference centre. Since 1999 it’s passed through seven different owners, all planning (and failing) to turn it into a hotel. Now, it’s in a poor state of a repair and it’s almost impossible to force the owners of this Grade 1 listed building because it’s owned by a company based in the British Virgin Islands, an off-shore tax haven. It’s a dreadful shame to see it in this state and I hope that it finds a buyer (in some ways, it’s a bargain at £1.1 million) before it reaches a stage where demolition is the only option. Such is its vastness though that I’m not sure what viable options exist. For more on country houses and buildings at risk, do read Matthew Beckett’s blog – The Country Seat. It’s always fascinating, if sometimes heartbreaking and although he hasn’t blogged so often recently, I hope he finds time to go back to it.

So there you go – things that have caught my attention this week – country houses, Scottish independence, women’s fiction and a literary mystery. Eclectic.

Posted in Recent links I've loved | Tagged , , , , , , , | 2 Comments

Winning, validation, and fortune cookies

Fortune Cookie - never dismissing them again!Last weekend I became a writer, and an award-winning one at that, and I learnt never to doubt a fortune cookie prediction. In lots of ways, it was quite a turning point.

I told you last week that I’d been picked to take part in Pitch Perfect at the Bloody Scotland festival of crime writing and how I would have three minutes to pitch my novel to a panel of industry experts. I wasn’t nervous about the talk itself as I’ve done plenty of public speaking and quite enjoy it, but standing at the lectern afterwards in front of an audience while that same panel of experts – Jon Wood from Orion; Karen Sullivan from Orenda and Emad Ahktron from Michael Joseph – gave me feedback? That was a truly terrifying prospect. Even more so as I’d looked around the audience and seen quite a few authors such as Louise Welsh and Lin Anderson.

Fortunately, it went well. People even laughed at my vaguely witty aside about the rather odd way that my main character developed – it’s a long story and I’ll tell you about it another time. The panel all said positive things about my pitch for Death Will Find Me. After their conferring when they announced that the winners were Graeme Morrice, Matt Wesolowski and yours truly I was completely stunned. And thrilled.

The icing on the cake was the two women behind me – readers who’d paid actual money to hear us pitch our novels – who tapped me on the shoulder and said that they liked the sound of it and hoped to see it in bookshops soon. Other people stopped me in the corridor afterwards to congratulate me and by the time I got to the Green Room and a cuppa I felt a bit teary.

The thing is that writing is something I’ve always wanted to do but never quite got round to for all sorts of reasons such as crushing doubt in my abilities, to being too busy to find the time, to being intimidated by the actual published authors that I deal with on a daily basis. Even after we’d sold the bookshop and I had more time, it took me two and a half years to have an actual complete finished manuscript. A manuscript with faults and which I’m currently dismantling and putting back together with a stronger plot. With crime fiction it doesn’t matter how good your writing is or how compelling your characters, if the plot that underpins it is a bit flimsy readers can spot it a mile off.

I’ve never liked referring to myself as a writer because it’s always felt rather cocky and besides, I know too many people in the industry to feel confident doing that. Trust me, there’s something quite crushing about having a published author that you respect say ‘oh, you’re writing a book? How’s that going?’ However encouraging they are you feel that they’re thinking you’re crazy.

But being one of the Pitch Perfect winners has given me the validation I needed to call myself a writer and to treat it as a priority. I’ve done it here but I never really look at my stats and mostly assume that it’s only my mother-in-law that reads it. However, now that I’ve had that small success I’ve had a burst of confidence and even changed my Twitter bio (@Ness_Robertson if you’re interested) to read “Bookseller at The Glenogle & Bell Book Company and writer – winner of Pitch Perfect at Bloody Scotland 2015. Often found on windy beaches or in hipster cafes.” I was inspired to start writing in earnest on Monday morning but I caught the most horrible cold over the weekend and have spent the last few days feeling very sorry for myself. It’s Friday tomorrow and I’m hoping that I’ll feel up to at least opening my Scrivener file and seeing where I’m at.  I’m not sure that my laptop and I will make it to one of the hipster cafes where I like to write though, not with my current hacking cough.

I once read some writing advice from Ian Rankin: ‘Get lucky. Stay lucky.’ I was very lucky last weekend because my fellow pitchers all had great ideas and now I need to make the most of that and work like stink and hope that I can stay lucky because talent on its own isn’t always enough.

And the fortune cookie? That was from Panda Express in Palo Alto, California in August. I opened it just after I’d submitted my entry to Pitch Perfect and rather than bin it as usual – I’m not a superstitious person – it felt like an omen and I tucked it in my diary. It’s on the pinboard above my desk and I think it will be staying there, hopefully bringing me more luck.

Posted in My Writing | Tagged , , , , , | Comments Off on Winning, validation, and fortune cookies

Sunday words…

Sunday Words M AtwoodI would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary…

‘That unnoticed and that necessary” how beautiful.

Posted in Sunday words | Tagged , | Comments Off on Sunday words…