Shelf notes: In The Woods by Tana French

Tana French - In the Woods It’s a well-worn trope that crime writing isn’t taken as seriously as other genres – even a writer such as John Banville dismisses the crime novels that he writes under the pseudonym of Benjamin Black. However, as Allan Massie writes in this piece about Ian Rankin’s recent appointment as a Fellow of the Royal Society of Edinburgh, the crime writer has the ability to explore any area of society for crime crosses boundaries of class and geography. There is a commonality to emotions – we all feel love and loathing, and even if we don’t all let those sweep us into dark and dangerous places, it’s often easy to imagine how it could happen.

There are some fantastic crime writers around who given the lie to the intellectual snobbery of some critics – Rankin for one, but also Attica Locke, Laura Lippman and George Pelecanos to name just a few. Their books are definitely not formulaic or hackeneyed. I’d also add to that list Irish writer Tana French whose backlist I’m currently racing through. Broken Harbour was my crime novel of the year in 2012 and her newest, The Secret Place is just as good and proving popular with our Glenogle and Bell crime fiction readers.

I’ve only just got around to reading her first, In The Woods, published in 2007. The narrator, Rob Ryan, a Dublin Murder Squad detective, is investigating a killing with close ties to his own childhood, when he and two friends went to play in the woods and two of them disappeared for good. Back in the same village, with too-close-for-comfort echoes of that childhood trauma, the memories that he’s suppressed for 20 years, and which only one of his colleague knows about, are niggling at the edges of his consciousness.

Told in the first person, Rob tells us at the beginning “what I am telling you, before you begin my story, is this – two things: I crave the truth. And I lie.” And that’s the first lie. Although ostensibly a police procedural, the heart of this book lies in the unravelling of Rob’s life as he starts to remember what happened that day in the woods and the self-destructive path that he sets out on.

It’s not a feel-good book; it’s heartbreaking. Nor is it a murder mystery that’s neatly solved and the loose ends tied up in a bow at the end. Rather, elements are unresolved and questions still unanswered; much like real life. What will happen to the murderer and does Rob really not remember what happened in the woods? It is a haunting book and Rob and the secrets he carries with him will linger for a while afterwards. I can’t recommend it highly enough – 5 stars. And I hardly ever give a book 5 stars.

 

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Shelf Notes: The Late Scholar by Jill Paton Walsh (based on the characters of Dorothy L Sayers*

TheLate Scholar by Jill Paton Walsh. www.vanessarobertson.co.ukAfter the successes of her previous additions to the Sayers canon, Jill Paton Walsh has revisited Peter Wimsey and Harriet Vane in the 1950s. Now Duke of Denver, Peter has also inherited the post of Visitor at St Severin’s colleges in Oxford, the main duty of which is to adjudicate in dead-locked disputes between the fellows. The current argument, about the sale of a valuable manuscript, is not just bitter however, it’s become murderous and there’s a pattern emerging relating to Peter’s previous cases, some of which Harriet has used in her novels.

I enjoy what Paton Walsh has done with DLS’ characters in her earlier books. Unlike Thrones, Dominations, The Attenbury Emeralds et al which were based respectively on a half-finished manuscript and a case mentioned in an earlier book, The Late Scholar is totally new. Like all continations, it’s something of a curate’s egg and the need for exposition to explain where were are in the Vane/Wimsey timeline and backstory is rather slow, but as a Sayers fan I liked this very much.

Whether this is for everyone depends on your feelings re continuations of other writers’ work – people tend to have a very Marmite reaction. I enjoy these but not others – I loathed Anthony Horowitz’s Sherlock Holmes follow-on The House of Silk for example. On the whole though, I recommend this, especially to Golden Age detective fiction fans.

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Dear Francesca – on epilepsy and motherhood

Dear Francesca

Forgive me if I’m sticking my nose in, but in your Times column* last weekend you asked ‘can I be a good mother if I suffer from seizures?’ and your words took me back almost sixteen years to when I asked myself the same question. As you say, it is terrifying to know that you could injure your child especially when – as in my case – seizures usually happen out of the blue, with no aura to provide advance warning. I recognised and remembered the fear you describe and I wanted to reassure you that these worries will pass.

You’ve already been given plenty of good advice such as changing your baby on the floor, not bathing them without another person present and even feeding them sitting on the floor and they’re good tips that I incorporated into caring for my son without problems. And I warned friends that, although my fits were few and far between, it could happen. No-one worried about it, they all just took it in their stride as a thing to be aware of. It was more of a cause for comment that my son was bottle-fed (because of passing medication on via breast milk) although that might just be my NCT circle…

But all those sensible precautions didn’t quell the fears that woke me in the middle of the night; that I would sit alone and obsess over; that made me read up as much as I could about the incidence of birth defects caused by anti-convulsant medication. What frightened me was feeling that I was alone because I knew no-one else who’d been through this.

The possibility of birth defects worried me. At that point everyone reassured me that I was taking probably the safest (carbamazepine) but that there was a higher risk of problems. The biggest looming threat was spina bifida and I was offered tests and scans but we decided not to have them. I wouldn’t have had a late termination – although that’s just my personal choice and I judge no-one who makes a different one – and knowing that the baby I was carrying had a problem wasn’t going to be helpful so we just had the first scan for dates and cracked on, deciding that we’d worry about any problems if and when they arose.

The actual process of giving birth was rather alarming too – everyone seemed to be playing it by ear. None of the midwives I dealt with seemed to know much about epilepsy. To be fair, they couldn’t really be expected to given that no two people’s seizure profile or triggers are exactly the same. They’re trained to deal with women who may fit due to eclampsia and that’s it. As you already know, epilepsy isn’t a one-size-fits-all kind of condition. I was told that I mustn’t eat while I was in labour in case I had a fit and had to have an anaesthetic and emergency C-section. I could see their point but I was far more likely to fit if my blood sugar dropped and as I had a 30 hour labour it was a good job that I managed to keep my levels up (if they tell you that, do what I did and have a stash of cartons of Ribena in your bag). Make sure you take your meds on time too – set a timer to remind you.

So, as someone who’s been there, done it and has a healthy teenage son who doesn’t seem at all damaged by the couple of fits he’s witnessed, I have two pieces of advice for you. The first is to arm yourself with as much knowledge as you can. Get a copy of your neurologist’s notes and put them in your hospital bag, know what they say and get him or her to explain anything you’re not sure about. Assume that the staff in the midwifery unit, although well-meaning and with you and your baby’s best interests at heart, will know next to nothing about epilepsy and be prepared to fill them in where you need to. Especially about the need for your medication to be taken on time because as we both know, that’s the best way to avoid a seizure.

The second is to try not to worry about things that might never be a problem. The precautions you need to take when caring for your baby won’t seem so extreme when it happens, they’ll just be things you do differently. The chances are that your meds won’t have caused any problems so if tests reassure you then make sure you get them, if happy ignorance is better for you as it was for me, then push those thoughts away as much as you can.

But to go back to your original question, yes, you can be a brilliant mother if you have epilepsy. You know that in your heart just as you know that some women in perfect health are terrible mothers. Everyone worries before they have their first baby and those of us with epilepsy just have an extra thing to fret about. We have a condition that we have to work around when caring for our children, just as we acquire coping strategies for other aspects of our lives.

With very best wishes and all the reassuring vibes I can possibly muster,

Vanessa

*I can’t find the piece on The Times website, even if the paywall would enable me to link to it so sorry. To summarise, journalist Francesca Steele, who started having seizures a few years ago is pregnant and wondering about the impact of her epilepsy on her baby.

This is National Epilepsy Week and if you’d like to know more about the condition, about how to help someone who is having a seizure or if you’re affected by epilepsy the following sites are great sources of information.  Alternatively, if you have a question, leave a comment here and I’ll do my best to help.

Epilepsy Action

Epilepsy Society

Epilepsy Research

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I was this kid…

Found on teachingliteracy.tumblr.com

Found on teachingliteracy.tumblr.com

I remember summer evenings where I’d still manage to read even after I’d been told to turn out my light. Probably why I wear glasses – or at least that’s what I tell my son….

 

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Kerry Wilkinson, author of the Jessica Daniel crime novels – interview and book giveaway

Scarred for Life by Kerry Wilkinson. From www.vanessarobertson.co.uk

Scarred for Life by Kerry Wilkinson.

Although I read a fair amount of crime novels, the Jessica Daniel series by Kerry Wilkinson had rather passed me by until Kerry’s publicist sent me a copy of Scarred For Life, the latest title in the series. I really enjoyed the book and liked Jessica, Kerry’s Mancunian detective inspector very much. I’m definitely planning to go back and read some of the earlier novels in the series. I don’t have space to review the book in depth, but if you don’t want to take my word for it then a little light searching will find you literally thousands of reviews of his books.

I did however pin Kerry down for an email interview as I was curious about his journey from self-published amateur to best-seller and darling of his publisher, Pan Macmillan. Read on to the end to find out how you can be in the draw for a copy of Scarred For Life.

Q: Kerry, your career seems to have been jet-propelled. When did you start writing?

KW: In terms of actual writing, I’ve been working as a journalist, both paid and not, since I was about 13 or 14. I wrote cricket match reports for the local paper which are probably horrific crimes against the English language in retrospect. In terms of fiction, I only started in 2011. I’m not sure it can be called a ‘break’ as such, but I self-published in the same year and things happened from there.

Q: Before you self-published, did you try the conventional route of submitting your manuscript to agents and publishers?

KW: I never set out to be a full-time author, I was only trying something new to see if I liked it. I looked into a traditional approach – three chapters to an agent, wait for the rejection, start to hate yourself and life in general – but I’m not much of a tradition-type person anyway. I saw the ‘self-publish with us’ button on the bottom of an Amazon page and figured I’d give that a go.

Q: You were hugely successful as a Kindle author – their best-selling author in 2011 – so what lured you over to conventional publishing and Pan Macmillan?

KW: I’d be lying if I said it wasn’t the money… On top of that, working with a traditional publisher offered a chance to do something new. Things have gone well, so I’ve stuck with it. I do miss the control, the tinkering and the experimenting of self-publishing, though. The actual writing of the book is only part of the job of being an author in 2015 and I enjoy many of the other bits that go with it – especially the online, digital stuff. Interacting with readers before, during and after a release is massively rewarding as well.

Q: One of the big differences between self-published and conventionally published books is that the latter will have been edited – sometimes heavily. How has that gone – did you have to change much or are the novels out now in paperback pretty much the same as the originals?

KW: With my young adult novel, Reckoning, there was a lot of rewriting, reordering and tinkering. It’s a lot better for it. My crime books have very little work done to them. The second draft I send to my agent is almost exactly what comes out in print, save for correcting a few typos. I don’t know if that’s a good or bad thing. As long as readers enjoy the books, I guess that’s good!

Q: I’m glad you mentioned Reckoning as I was going to ask whether you’re planning to concentrate on Jessica Daniel novels or whether you have plans to branch out?

KW: Both! I’ve written 13 Jessica books and plotted a 14th. Nine have been published, with number 10 out in January 2016. But I’ve got loads on the go. There’s a young adult-fantasy-adventure trilogy, the second book of which is named Renegade and is out in May 2015. I have a spin-off from the Jessica series featuring a private investigator named Andrew Hunter. His first novel, Something Wicked, is already out as an ebook and is coming out as a paperback in July. Then I have a standalone crime novel, Down Among The Dead Men, that is set in the same world where Jessica and Andrew exist. That’s out as a hardback and ebook in September or October of 2015.

Q: What’s your writing routine like? Are you someone who has to have complete silence and a special pen or can you tap away in cafes?

KW: I can write anywhere. Trains, planes, benches, bus stations, airports, passenger seats of cars, hotels, shop window fronts in the Arndale centre…wherever. Generally I work at home on my sofa, laptop on, er, lap. I always have something on the go, whether it’s writing an actual novel, or plotting one. I get on with whatever interests me at the time. I might be writing a first-person novel for young people, or a third-person crime story, or something for Jessica. Sometimes I might write a couple of Jessica novels back-to-back, other times I’ll forget about her for a year. I don’t worry too much about it. Whatever’s in my head at the time.

Q: That’s a lot to keep track of. Are you a plotter or do you start with a scene or an image and see where the story takes you?

KW: I usually start with a single line. An elevator pitch. One sentence that sums up the twist, tone or basis for the novel. That becomes a bullet-pointed chapter-to-chapter breakdown, which then becomes a full-on plot that can run anything up to 16- or 17,000 words. When that’s done, I’ll re-read it, make sure there are no gaping plotholes or problems, then get to the actual writing.

Q: Your background is interesting – a successful self-publisher now a best-selling author with one of the country’s biggest publishers. What would be your advice for would-be writers?

KW: Get on with it. If someone wants to write, then write. All you need is a pen and paper and/or a laptop.

Q: Finally, what’s your favourite bookshop?

KW: 86th Floor Comics. They’ve had some money from me over the years…!

I have a copy of Kerry’s new Jessica Daniel title, Scarred For Life, to give away. If you’d like to be in with a chance, leave a comment below. UK only I’m afraid because of postage costs and the draw closes at midnight on Sunday 15th March. Good luck!

 

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